he 26 year old French pop star Gabriel Tumbac joined forces with International Superstar Gad elbaz to create an original exciting and contemporary song “Rise Again”

This single is now being released on Gabriel new album as well as Gad elbaz new album Hava Nagila.

This song is accompanied by an amazing and original fun music video that takes the song to a whole new dimension.

As Purim approaches there’s no better time to enjoy this beautiful whimsical new hit, and get on the Dance Floor!

Produced by : NS Event & Gabriel Tumbak

Directed by Nathalie Carollo
Executive Producer : NS Events

Music by Julien Thomas & Gad Elbaz
Lyrics by Jeak & Julien Thomas

Music Producer : Tiborg
Recorded & Mixed by Tiborg at TMP Recordings, France
Mastered by Spreader at TMP Recordings, France

Tiborg appears courtesy of TMP Recordings.

Technical Support : Eli Hertzberg

Shot at Omega Studio, Studio Bercy and Annecy Airport

Director of Photography : Violaine Bellart
Assistant Director : Abby Shoot
Technicians : Dimitri Rougeul, Alexandra Carollo
Make up : Phenix C

Set photographer : Steve Kempf
Assistant : Gershon Stein

Artwork by NS Events

Shloime Daskal is set to release his new album “Not Shayach” very soon. This will be Shloime’s 10th album. The album presented by Yossi Rubin and produced by Yoeli Dickman and Daskal features over 50 hand picked wedding and Simcha favorites.

The album is arranged by Yoeli Dikman and features music by some of todays best musicians including, Avi Avidani, Gadi Seri, Yoeli Dikman, Avi Singolda, Aryeh Volnitz, Danny Flam, The Israeli Philharmonic, and many more! The music was performed by an orchestra of over 50 musicians. “Not Shayach” also features the Shir V’shevach Boys Choir, and the Daskal Kids choir.

For 17 years Shloime Daskal has been one of the most sought after singers at Weddings and other Simchas! Shloime has been honored within singing and being Sameach thousands of Chassonim and Kallahs around the world. With that in mind Shloime wanted to bring that same energy and level of Simcha you will commonly find on any given night to your home and your speakers, and be able to help spread this Simcha and joy to everyone.

Shloime Daskal’s Dance 2, “Not Shayach” will be available in stores and online for digital download everywhere very soon. The CD is distributed by Nigun Music
 

Can you imagine the celebration? Mordechai is called into the Kings palace wearing sackcloth and ashes. The Jewish nation watches him enter knowing that there is no way to end Haman’s wicked decree. Suddenly Mordechai appears wearing kings robes, a sign that the tides have turned. The nation will be saved and Haman and his songs will take Mordechai’s place on the gallows!

This song was composed while learning the Megillah and imagining the intense joy felt by the Jewish People as the news of Haman’s plan being overturned spread throughout the land. Featuring vocalist Hillel Kapnick this song is sure to get you in the Purim Spirit! ​

Download FREE @ www.HillelKAPS.com or at www.MostlyMusic.com

Credits:
Produced By:
HillelKAPS Productions
www.HillelKaps.com
Arranged By: Duvi Moseson
Additional Arrangements: Moishy Moseson
Recorded @ Uptop Studios (Monsey, NY)
Engineered By: Hillel Kapnick
Backing Vocal & Guitars: Hillel Kapnick
Mixed @ Emes Studios (Philadelphia, PA)
Mixed By: Moshe Siegel

New song in honor of the Yeshiva Kerem Biyavneh

Coming soon! New album – HASHEM MELECH – THE 12 TRIBES!!!!

In the meantime, here is their new single, Mishenichnas Adar” Official Purim Music Video Featuring Eitan Katz

A year after Yitzchok Samet, a chosson, was tragically killed, his brother Avraham Samet releases a single “Chosson Tantz” from his upcoming album in his memory. The song is composed by Avraham himself and arranged by Eliezer Brandmark.

We love our fans so much, that we are making “Marbim B’simcha”, the single,
available as a free download in honor of Purim.

Please download it, copy it, play it, share it, and spread the joy of Purim with this awesome track!

https://soundcloud.com/new-york-boys-choir/marbim-bsimcha

NYBC is at it again! Their always looking for ways to make people happy. This Purim holiday season, New York Boys Choir, one of the most refreshing and creative sounds in the Jewish music scene, under the leadership of renowned producer Yitzy Bald, film producer Jake Sojcher, of JS STUDIOS, and musical producer and arranger extraordinaire, Doni Gross of DEG Productions, team up, to present this awesome, fun-filled, and inspiring music video, entitled “Marbim B’simcha”. In this video NYBC looks for a creative way to help the disadvantaged! Conceptualized by Yitzy Bald, and filmed and directed by Jake Sojcher of JS Studios, this video, “Marbim B’simcha”, is sure to get you dancing.

Produced & Composed by: Yitzy Bald
Music production: Doni Gross
Musical arrangements: Doni Gross
Video production: JS Studios
Video Editing: Jake Sojcher
Soloists: Binyamin Kruger, Meir Richter, Yehuda Kirschner, Binyomin Gitnik, Tzvi Yehuda Ehrman
Choir producer & director: Yitzy Bald

Recorded at:
DEG Studios Brooklyn NY

Mixed and Mastered by:
Doni Gross

Shot on Location:
Kids ‘N Action

Special Thanks to:
The Kornwasser Family
The Parents of the Choir
Steven from Kids ‘N Action

Lyrics

Verse:
Ooh, Ooh, Ooh
Ooh, Ooh, Ooh
Mishenichnas Adar, Marbim, Marbim B’simcha

Ooh, Ooh, Ooh
Ooh, Ooh, Ooh
Mishenichnas Adar, Marbim, Marbim B’simcha

Ooh, Ooh, Ooh
Ooh, Ooh, Ooh
Mishenichnas Adar, Marbim, Marbim B’simcha

Ooh, Ooh, Ooh
Ooh, Ooh, Ooh
Mishenichnas Adar,
Mishenichnas Adar Marbim oy B’simcha

Chorus:
Mi, Mi, Mi
Mishenichnas Adar
Marbim oy B’simcha
Marbim oy B’simcha

Mi, Mi, Mi
Mishenichnas Adar
Marbim, Marbim B’simcha

Free Translation of Lyrics:

When the month of Adar comes, we should increase in Joy! (Within ourselves, and of course to make other people happy!)

You know it’s time to put away the Purim CDs when you send your child to his room to be punished and as he runs down the hall, he yells back at you, “You filthy Jew!”  While I am a grandchild of a Holocaust survivor and was at first horrified by my son’s words, I did discuss it with him after the fact, and he defended himself by saying, “But Mommy, that’s what Vashti said in the Purim story!”

The Purim Story…   Every child grew up with this CD – every child, that is, except for yours truly.  You see, my mother had (has?) an aversion to Jewish children’s CDs in general, so my siblings and I were somewhat deprived growing up.  Thus, listening to this CD with my kids was actually my first introduction to The Purim Story.  My husband couldn’t believe it; he had grown up with this CD as an integral part of his childhood.  As I giggled through the puns and funny moments, I realized what a treasure I had been missing out on.

For starters, the sound effects.  From the klip-klop of horses’ hooves to the scraping of chairs, listeners are immediately transported to Shushan, to the royal palace of Achashveirosh.  The underlying humor is engaging – names like “Mr. Tofes,” meaningless to my kids, were an enjoyable twist to me.  My personal favorite characters in this Purim tale are Achashverosh’s guards; they keep me laughing every time we listen.  The music is great – “Esther My Child” is a beautiful song, and my kids can be found chanting “Here comes Haman” randomly throughout the day.

To me, the most incredible aspect of this CD is the wealth of details involved in the storytelling, and the many Meforshim and Medrashim that made up this listening experience.  My son has been speaking about Belshatzar and Nevuchadnetzar as though every four year old should know about them, and my kids’ all-time favorite part is the poisonous snake doing the backstroke…

All I can say is, I am so pleased to have gotten ahold of this CD so early on in my motherhood career so that my children and I can enjoy listening to it together for many years to come.  And maybe I’ll invite my mother to join us for a listen – I think she might just appreciate this one!

Have you ever been at work on a Friday—or at home prepping for Shabbos—and thought to yourself, “I wish I had a playlist of just Shabbos songs to have on while I work”?  There are actually several worthy competitors in this genre, ranging from the old-school (Regesh Volume 3 and Volume 7) to the mainstream (Benny Friedman’s Bnei Heichala) to the modern (Lev Tahor 4).  To that list comes The Shabbos Experience, a new production from Moshe Masri, better known as his label, MRM Music.  With music and engineering featuring our very own Hillel Kapnick, The Shabbos Experience is a nice, simple “greatest-hits” collection of Shabbos songs performed by some of the up-and-coming voices in the Jewish Music business.  Here we go:

Tracks 1-6, “Shabbos Preparation”, feat. Yossi Goldstein: This set is a nice collection of Erev Shabbos-themed hits, ranging from Shlomo Carlebach’s “Mizmor Shir” to MBD’s “Ana Melech”, performed by Yossi Goldstein, who you may recognize from varied projects including A Cappella Treasury Shabbos and Sameach at the Wheel 2.  Hillel’s keyboard sequencing mostly keeps to the background on this set (and with most of the album), but he sneaks in a few “hey-wait-what-was-that?” chords, just to keep us guessing.

Tracks 7-9, “Shalom Aleichem”, feat. Hillel Kapnick: Speaking of Hillel, he takes center stage for these tracks, which feature three versions of “Shalom Aleichem”: Super-old-school (you know, the really classic one), regular-old-school (from Regesh 3), and new-school (from Benny Friedman’s Yesh Tikvah).

Tracks 10-11, “Yesimcha Medley”, feat. Mendy J: As we approach the meal, it’s time daven for and bless the children.  Mendy J (check out his new single!) handles those duties deftly.  I particularly like the fact that we didn’t get subjected to the lovely-but-overplayed “V’zakeinu” by Baruch Levine and “Yesimcha” by Avraham Fried—instead we are treated to “V’zakeinu” by Avraham Fried and “Yesimcha” by Yitzchak Rosenthal and Yaakov Shwekey.  Refreshing.

Tracks 12-13, “Shabbos Night Seudah Medley”, feat. Yedidya Alper: Time for Friday night zemiros—“Kol Mekadesh” and “Kah Ribon”—both classics.  Maybe a bit too classic.  True story: My very last Shabbos in high school, the gabbai approached my chavrusa and me in the beis medrash on Friday night.  He said, “You are both davening tomorrow—I don’t care who does shacharis and who does mussaf.  However, if either of you use the song ‘Kol Mekadesh’ for kedushah, I will personally go up to the amud and pull you off of it myself.”  Yeah, my class had a tendency to beat songs into the ground.

Tracks 14-17, “Shabbos Day Zemiros Medley”, feat. Baruch Naftel: This set brings us from shacharis (“Keil Adon”) through lunch (“Yom Zeh”, “Baruch Keil Elyon”, and “Yom Shabbason”) in a straight-up freilach/rock set.

Tracks 18-19, “A Sephardi Shabbos”, feat. Hillel Kapnick: Hillel switches accents for these two tracks—“Ki Eshmera Shabbat” and “Dror Yikra”.  Probably the best vocal performance on the album.

Tracks 20-21, “Havdalah”, feat. Baruch Naftel: Baruch returns doing his best Carlebach/Green/Katz/Katz imitation for “Gott Fun Avraham” and “Havdalah”.  Break out the guitars and start the kumzitz, everyone!

Track 22, “Eliyahu Hanavi”, feat. Aaron Simcha Futerman: This song was originally recorded by Moshav Band for their 2005 album Return Again.  This version is more of a disco/rock fusion than the original, which was slower and more folksy.  I particularly like Hillel’s rock organ solo around halfway through the track.

Moshe Masri has been on a production tear recently, having released at least three albums within the last few months with no sign of slowing down anytime soon.  The Shabbos Experience is definitely worth a spin for anyone who is in need for some easy listening on a Friday afternoon and wants to hear a fresh take on many of the classics we all grew up on.

“Mazal Tov”
by Eli Marcus
Produced by CJ Studios

For more info and bookings: (646)470-0305

Song composed by: Yitzy Waldner
Arranged and produced by: Eli Lishinsky
Filmed by: CJ Studios
Edited by: Clyde Cabanban
Band member appearances:
Piano – Chony Milecki
Drums – Shlomo Recu
Bass – Moshe Okunov
Guitar – Yoni Lorber
Lighting: Mendy Boaron and Master Lighting Productions
Special thanks to Razag Hall for allowing us to film on location.

Review by Devir Kahan. Besides for being a long-time fan of Jewish music, Devir is the Editor In Chief of http://dafaleph.com/ — a website of Jewish thought for thoughtful Jews.

It’s that thing that causes Jewish music fans of all varieties to rejoice: the release of a new Shwekey album. This time, it’s got the double-title of We Are A Miracle — Ma’amin Benisim and is produced by Yaakov Shwekey himself, not his former producer Yochi Briskman. The first thing you’ll notice is the rather intense album artwork. It made quite a stir when it first appeared on Twitter a couple of days before the album’s release, and for good reason — it’s meaningful, intriguing, emotional, and a rather radical departure from the typical name-of-singer-in-block-text covers typical of the Jewish music industry. That’s not the only thing unique about this album, though. The eleven tracks are rather eclectic, ranging quite a spectrum in style of music, each sharing little in common with the preceding song. This is neither good nor bad, but, if I had to bet, is a direct outgrowth of Shwekey’s departure from Briskman.
Many things are the same, though: Most of the songs’ composers are familiar, Shwekey’s voice sounds as phenomenal as always, and the production value and layering of the tracks are truly top-notch (something that really comes through on higher-end headphones). There are some safe-bet tracks, some riskier ones, some that will no doubt be quite popular, and others that will fade as quickly as they came. Needless to say, there’s much to talk about, so let’s get to it…
Ma’amin Benisim
This is the obligatory Israeli pop song on the album. These seem to be more and more common in modern Jewish music. Some are better than others, of course, and despite the high production value on this track, I would put it in the “others” category. Even the chorus seems to fizzle out each time after its first clause. There’s just not much going on. It’s not bad by any means, but it’s rather formulaic and will no doubt get old pretty quickly. It’s a fun beat, nice to listen to, and will no doubt be played non-stop at a every summer camp this year, but it’s not at all Shwekey’s best work. That’s not too big of a deal though, as some of the other upbeat tracks on the album more than make up for Ma’amin Benisim’s general mediocrity.
Birchas Habayis
Two songs in and we encounter what could well be the best slow track on the album (though there is tough competition here, as we shall see). It’s beautiful both in its lyrics and, more importantly, melody. It’s both classic Shwekey, and distinctly modern. The refrain of “ha’achavah” at the end of each verse works incredibly well, and the chorus is beautiful too. The song progresses and builds nicely, and I can easily see this being the next big wedding song (though there’s nothing quite like the way that Shwekey himself sounds on these songs). There is something of an odd instrumental break at around the 4:00 mark, but otherwise, I would say this one is a winner.
We Are A Miracle
If ever there was a master of the rather precarious waters that are Jewish songs with English lyrics, it’s Yaakov Shwekey (just think Momma Rachel, Shema, etc.). And that is no small feat, as they can often be extremely cheesy and rather hard to listen to. Indeed, I think Shwekey himself took something of a misstep in this regard with his last English track I Can Be. With We Are A Miracle, though, the good English songs of yesteryear are back, but in a massively updated way. Far from being typical, there is almost nothing cliché about this song at all. It’s not quite fast, nor is it slow. Both the verses and the chorus are catchy (with the uncommon phenomena of the verses actually probably more so in this case); the choirs in the background sound great, and lyrics — the primary concern when it comes to English Jewish songs — are solid. It’scool, clever, and different. I like it.
Smachot
This one took a little while to grow on me, but I find myself humming it now far too often (or so say those around me). It leans a touch Israeli/techno, but not overly so. It’s also far, far less formulaic than something like Ma’amin Benisim. It’s got quite a few sections to the song that build as it goes, so it’s not at all a typical verse-chorus-verse-chorus-end sort of song structure. It is also a masterful display of the blending of musical styles: for instance, there is a sophisticated bass line punctuated by trumpets — not something you hear every day. If you didn’t love this song the first couple of times you heard it, give it another go. It’s one of my favorites on the album.
Mo Ohavti
This track would feel just as at-home on Shwekey 2 or Yedid as it tries to feel on this album. Once more, it’s not a bad song (I don’t think Shwekey is capable of such a thing), it’s just forgettable (especially given the rather famous words chosen for the song). Certainly, given the composers that Shwekey has access to — and the fact that they are giving him their best stuff — the filler on a Shwekey album is often quite good, but this song felt rather out of place here. I don’t particularly like it, despite appreciating the throwback to the older Shwekey albums. That’s the thing, though — it feels like just a throwback, and not much more.
Biderech Hamelech
I’ll come right out with it: I think this is the best upbeat song on the album. There’s not too much to say here beyond that, other than that it’s got great lyrics with an even better alliteration to them, has a unique and catchy tune, and executes perfectly. One can hope that this will end up being the popular dance track from the album, but it’s unlikely. Oh well. I still think it’s the best. I really like this song.
Maran Sheli
If ever Shwekey’s personal life has come through on an album, it’s in this song. It’s heavily Sephardic, and is something of a lament and ode to R. Ovadia Yosef tz”l. My slight unease with some of the lyrics aside, Shwekey’s emotion really comes through and delivers a solid end result. It’s not my favorite, but it’s really nice to see a track that so clearly comes from the singer’s heart, and I can see people liking it for that reason alone.
Inshallah
This is really the sort of song that only Shwekey can pull off. It leans a touch Arabic, actually, and while I would certainly say that both Smachot and Biderech Hamelech are superior songs, Inshallah is quite good in its own right. It’s a nice dance/wedding song with a unique element to it. I like it.
Chaim Shel Shalom
The first time I heard this song I would have ranked it without hesitation behind Birchas Habayis. Now, I’m less sure. In many ways it’s similar, but I think there is a lot more going on here, from the intriguing flow of the verses, to the once-more beautiful refrain of “ha’yekarim” at the end of said verses, to the use of a kids choir, to the (certainly intentional?) use of the Lion King harmony in the chorus. That chorus, though, is not nearly as strong as the one in Birchas Habayis is. I’m not sure which track is better per se, but, luckily, we get to have them both in Shwekey’s already extensive repertoire of truly beautiful music.
Chaval Al Hazman
I must confess that the first number of times I heard this song I didn’t much care for it. It reminded me of Osim Tshuvah off Kolot — an attempt to do something interesting, different, and unique that results in a decent track that everyone can say sounds cool, but no one really listens to all too often. Unlike Osim Tshuvah, though, the more I have listened to Chaval Al Hazman, the more I have come to like it. Not only that, but this is exactly the sort of thing I think that Jewish music needs more of. They really nailed this one. It’s unique and different, and certainly stands out as such. It’s catchy, and clever, and even cute in all the best ways, and has a style that I’ve never heard before in Jewish music. Everything from the awesome bass line to the almost-Jazz trumpets, to the vocal slides come together to make something truly special. There is even an unexpected switch to English lyrics in the middle. It’s different done well.
Nitzotzot
Every time I hear this song I get emotional. It’s just the way Shwekey sings the song. It’s incredibly heartfelt and full of yearning, commensurate with the message of the beautiful lyrics. In terms of melody, it’s not overly complex, I don’t think, but the way that it is sung makes this track something special. From the soulful verses to absolutely nailing the high notes in the chorus, this song is one of the more memorable closes to an album in recent memory.
Conclusion
In all, this album is really quite good. Not incredible, but good. (Certainly, nobody can levy the accusation that all the songs sound the same.) There are no real missteps here, but nor are there really any “instant classics” either. It’s hard to say that there is anything quite like Im Eshkochaich, Vehi Sheamdah, Ma Ma Ma, Areivim, even Tefillat Kallah or any other myriad of truly timeless Shwekey songs on this album. In Shwekey’s rather impressive and extensive discography, I’m not sure just how much this album stands out.
Let’s not forget, however, that this is also the first time that Shwekey is out on his own, so to speak. So while this might not be Shwekey’s best work, it is also his most experimental, different, and adventurous. In short, I’m more interested than ever to see what Shwekey’s next album will be like. It is, after all, that thing that causes Jewish music fans of all varieties to rejoice: the release of a new Shwekey album. Let the cycle continue.

Check out these 2 songs from the album:

“Shine a Little Light” – Written & Composed by Yitzi Hurwitz

Original vocals and guitar by Yitzi at the opening and closing of the song. Recorded on Yitzi’s cell phone in 2008.

You can help Yitzi and his family shine a little light by giving what you can at http://www.hurwitzfamilyfund.com

To read Yitzi’s inspiring weekly blog please visit http://yitzihurwitz.blogspot.com

—

Music Video & New Track – Produced & Directed by Chaim Marcus

Edited by Berry Cohen

With a big thank you to Danny Finkelman & Sparks Next

Special Thanks
Rabbi Shlomo & Brocha Friedman
Danny Shatzky
Eli Marcus
Bentzi Marcus
Chaim N. Cunin
Daniel S. Wise
Mendy Pellin

Music Mix & Master: Eli Lishinsky

Additional Guitars: Alex Bodnar

Bridge Lyrics: Yitzi Hurwitz & Bentzi Marcus

Color & SFX: Yossi Margolin

Photo Credit: Zalmy Berkowitz ——————

Artists & cast in order of appearance:

Rabbi Yitzi Hurwitz, or “Yitzi” in his home, Los Angeles, California, 2016
Alex Clare, London, England
Original vocals and guitar by Yitzi
Rabbi Yitzi Hurwitz, at his wedding, Brooklyn, New York, 1996
Rabbi Yitzi Hurwitz, Camp Gan Israel, Montreal, Canada 1992
Benny Friedman, Bushwick, NY
Yossi Green, Seagate, NY
MBD, Seagate, NY
8th Day, LA, California
Rabbi Baruch Chait, LA, California
Yehoram Gaon, Tel Aviv, Israel
Rivi & Eli Schwebel, Dumbo, NY
Gad Elbaz, Tel Aviv, Israel
Eli Marcus, Williamsburg, NY
Avraham Fried, Brooklyn NY
Yehuda Green, Williamsburg, NY
Boruch Sholom Blesofsky, Bushwick, NY
Maccabeats, NY, NY
IDF Pikud Haoref, Jerusalem, Israel
IDF Givati, Israel
Students from Harkham Hillel, Los Angeles, CA
Campers from CGI NY
Campers from Camp Rayim with Benny Friedman
Campers from Camp HASC with 8th Day
Isaac Bitton, Bushwick NY
Yitzi & Dina’s sons: Moshe, Eli Chaim, Mendel & Shalom Hurwitz, Hollywood CA

Original vocals and guitar by Yitzi

DP’s:
-Mauricio Arenas
-Steve Kamilar
-Daron Keet
-Eliana Alvarez Martinez
-Ronen Oz
-Mendy Pellin
-Josh Saltzman
-Pullman Sawyer
-Yisrael Silman
-Eli Singer
-Marco Vitale
-Dudi Yitzchaki

Recording Studios:

Danny Shatzky, Vibromonk Studio, Bushwick, NY
Robb Holt, Bell Sound, Hollywood, California
Tino Passante Avatar Studios, NYC
Nir Graff, Graffwerks Studio, Williamsburg, NY
Eli Lishinsky, Lishinsky Studio, Staten Island, NY
Udi Turgeman, Habayit Ha’adom, Tel Aviv, Israel
Yehuda Glantz, Abu Bueno Studios, Jerusalem, Israel

Thank You:
Amichai Bacharach, Yashar Lachayal, Fitche Benshimon, Naftali Berkowitz, Robb Bindler
Leon Blankrot, Yashar Lachayal, Alex Bodnar, Isser Brickman, Camp HASC, Camp Rayim, Camp Gan Israel, Parksville, Rabbi Baruch Chait, Rabbi Danny Cohen, Zalmy Dubinsky
JJ Duchman, Rabbi A. E. Friedman, Simcha Friedman, Yehuda Glantz, Tamir Goodman, Yossi Green, Mendel Grossbaum, Harkham Hillel Hebrew Academy, Naftaly Marasow
Yossi Margolin, Itzik Neymark, Meir Kalmanson, Mike Kampler, Sammy’s Camera, Daron Keet, Wendy Kellner, Oshie Kluwgant, Berel Okunov, Aharon Orian, John Osiecki, Levi Plotkin
Moshe Momo Rosner, Israel Schachter, Yuval Stupel, Udi Turgeman, Shalom Vagshal, Shmuli Weber, Students at Y.O.E.C, Chapin Wilson, Boaz Yacov, Menachem Weinstein and Avram Zamist

Dedicated with love to Yitzi & Dina Hurwitz

Lyrics:

Can’t you see
I’m trying to be
All that you
want of me

But it’s so cold now
It’s so dark here
What could I do
It’s not very clear

Chorus

Shine a little light
Show us the way
Lead us to
a brighter day

Shine a little light
Show us the way
Lead us to a brighter day

If I’m a little light
You’re a little light
Together we are
So very bright

A little light here
A little light there
See the smiles
It’s so very clear

Chorus

Bridge

When we stand together as one,
there’s nothing that we cant do
so lets lead the way,
to a brighter day
and the whole world will join along

We can bring a brighter day
for everyone,
it’s only up to me and you
we can see it, we all believe it,
so let us shine our light right now..

Chorus

Shine a little light
Show us the way
Lead us to
a brighter day

Shine a little light
Show us the way
Lead us to a brighter day

Download here: https://mostlymusic.com/collections/frontpage/products/dj-sol-osin-tshuva-remix

Smashing new remix single by DJ SOL off Dovid Gabay’s latest album “Hakol Letovah”! DJ SOL can be booked for your next simcha or event. Call now at 845-405-3997 or email at djsolproductions@gmail.com

Producer Avi Fogel presents the next level talent. Composed by the very talented Aki Stein feat. Dovid Skaist

Music Arranger & Classical Pianist Shloimy Salzman, ​Music Arranger of Lech K​’​nos​ from Zevi Kaufman​,​ & ​Ein trop Vaser​ from Meilech Kohn​-was approached by Fogel and asked to bring out the image that could paint its inspiration out clearly to the world we live in. He designed the perfect sound and emotion the song needed, alongside guitarist Shloime Bernstein from Israel.

Welcome to 2016, a time of disparity of connection with our creator, a time we need Him most.
​In life so many of us fall, we feel that it’s the end. No one ever focuses on the long future ahead, they all just stay in despair by their one wrong action in the past. We all have our falls, אין צדיק בארץ אשר לא חטא, we’ve just got to turn up to the father in heaven and use the most wondrous gift he gave us, the tool of תשובה, repentance. Lets hope that this song will inspire all across the globe to learn we must step out the pit, focus on the most amazing future waiting ahead of us, and turn to our Father in heaven and cry out אנא ד’ הושיעא נא!!! ​

Credits:
Produced by – A​ F​ Productions
Composed by – Aki Stein
Music & Arrangements – Shloimy Salzman
Guitarist – Shloime Bernstein
​Lead ​Vocals – Aki Stein/ Dovid Ska​ist​
Backup ​V​ocals – Shloimy Salzman​ – ​Gershy ​​Schwarcz
Engineer​ed & Mix​​ed By​ ​- Gershy ​​Schwarcz

Eight months after the release of his debut hit album “Achacke Loi” Levy Falkowitz and his producer Avrum Mordche Schwartz present you with a live studio video to share with you some of the uplifting moment’s we spend recording this album.

Video produced by: Avrum Mordche Schwartz
Director of photography: Haim Bargig
Camera operator: Adam Cohen
Camera assistant: Maxwell Sloan
PA: Kylie Shaffer
Edit & Color: Bryan Saunders
Filmed at: Vibromonk Studio
Berish Weiser Assistant Manager

Song Composed by: Pinni Ostreicher
Music arranged by: Pinni Ostreicher
Choir conducted by: Yoely Horowitz
Mixed and mastered by: Udi Damari

In the Clip:
Singer: Levy Falkowitz
Choir: Yoely Horowitz, Eli Shprei, Cheskey Brueyer, of The Shira Choir
Piano: Pinny Ostreicher
Guitar: Chaim Bokchin
Drums: Shabsi Broyde
Bass: Gustavo Amarante
Sax: Ron Bertolet
Trombone: Danny Flam
Trumpet: Tony Goruso

For Album Download Click Here: https://mostlymusic.com/products/levi-falkowitz-achake-lo

Dedicated to all those in need of a Refuah Shelaimah. Gobbie was inspired to compose this song when when his nephew had open heart surgery at 1 week old, and 4 years later he is BH thriving.

Available as a free download: https://mostlymusic.com/products/gobbie-cohn-refaeinu

Arranged and Produced by Hillel Kapnick at UpTop Studios
Vocals Recorded at SL Studios
Choir Recorded at ZemiroStudios
Drums: Mo Levin

Artwork: Ethan Berner

THE MIAMI PHENOMENON II

CHOL HAMOED PESACH – BROOKLYN COLLEGE

Tuesday April 26, 645pm sharp & Wednesday April 27, 745pm sharp

Achake Lo is a reaffirmation of hope we have as a Jewish people of the coming of Mashiach

The Rambam in the 13 principles of faith writes,

אני מאמין באמונה שלמה , בביאת המשיח ואף על פי שיתמהמה , עם כל זה אחכה לו בכל יום שיבוא .

Am Israel for thousands of years fervently awaits for the arrival of Moshiach , and despite all the sufferings and difficult situations we’ve been through , our faith has never been extinguished .

Achake Lo, music composed by Ari Holtz , arranged by renowned musician and arranger Yehuda Glili and performed by the famous chazan Avremi Roth, who together have cast a perfect match.

Available as free download:
https://mostlymusic.com/collections/frontpage/products/avremi-roth-achake-lo